Qinza Najm and the frightening silence all around her
By Rumana Husain
The Herald
Most of artist Qinza Najm’s works are composed in acrylics on hand-woven wool tapestries. I wondered about the use of the carpet: was it meant to say, ‘brush it under the carpet’ all that must be concealed, or was the carpet used as a metaphor for something else? Read more.